My first comparison came between the GH5S and my everyday shooter, a Samsung NX1 (not the most up-to-date rival, I know), with both cameras set to f/2.8 at 1/40th of second on ISO 6400. The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. That high ISO was welcome in the super dim rooms at the McKittrick, which were often so dark that other writers and vloggers pulled out their smartphone flashlights to help find their way around. As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of … The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Let’s make it clear: the Panasonic Lumix GH5S (or GH5s, if you prefer) is designed to offer everything you need inside the body, and it even offers you a large high-resolution rear monitor, to control it all. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. The Sony A7R III has a 42MP sensor vs just 10MP for the GH5S which makes the similar low light performance in 4K video quite mind-bending. Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition? That is surprising as the GH5S is a full pixel readout in 10bit and the Sony is pixel binning in full frame 4K mode and cramming the result into an 8bit codec. Some of the tree detail in the test shot isn’t coming out very well on the GH5S compared to the Sony. Panasonic GH5 Real World Autofocus and Low Light Test (Kind of) Tweet. This should also translate into a 1.5-stop improvement in signal-to-noise ratio, producing images that are cleaner with lower noise levels. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. But last week, I got a chance to check out the GH5S’s low-light capabilities. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. ISO. liberty aint what you think. But what especially surprised me was how many usable shots I was getting at ISO 6,400 and 12,800. In the comparison, you can see the GH5S low-light image quality speed ahead of the GH5 from that point. The GH5 isn’t hard to best in low-light, so let’s bring out a more competent challenger. But for people who often shoot in poorly lit environments, the GH5S is an upgrade that you’d be crazy not to consider. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. That means a 1.78x crop horizontally vs full frame, instead of the usual 2x crop of the GH5 (or 2.3x of older GH4 in 4K). I need to double check the result to see what the noise reduction is doing, so take that one with a slight pinch of salt for now. Best Telephoto Prime Lenses for Panasonic GH5S. Go to ISO 6400 and you do start to see some noise but it seems much cleaner in Hybrid Log Gamma mode. Quick Conclusion. Priced to fail and shackled to Adobe – The Zeiss ZX1. TheCameraStoreTV YouTube channel, hosted by Chris Niccolis gives a look at what the GH5s can do in low light situations. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. The larger sensor is good to have too. That's a result of the larger pixels and dual ISO on the 4K-optimized sensor. The Panasonic GH5 starts to fall behind at ISO 6400. blue: Didn't know age was a pre-disqualifier. The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. There's no question that the Panasonic GH5S is a video-centric mirrorless camera that specializes in shooting in low light, although tests reveal that still quality should be sufficient for many uses. Sony A7R3 users – THROW AWAY YOUR CANON LENSES! The 10bit codec makes for a solid V-LOG-L and the low light performance is a definite step up from the GH5 though, highly noticeable at anything past ISO 800. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). And I’m just scratching the surface of what the GH5S can really do. Who wants a randomly creeping shadow in the corner? Dual Pixel or 4D Phase-Detect AF would have been first on my list with the video-orientated model. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. Panasonic touts their newly announced GH5S as the low-light king, and just like with the Sony a7S (and a7S II) the S stands for “sensitivity”. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. There is an obvious nonlinearity in the numbers. Panasonic says the new Lumix GH5S is an 'superior mirrorless camera for videography, designed and developed for professional filmmakers' and it will be available from the end of January 2018 with an RRP of &beat out;2199 / €2549.99 (body only). Both images from 16000ISO on would rather not be used for cinema projection. The Nikon D850 is surprisingly a lot noisier than the A7R III despite having a very similarly specced sensor. The GH5 features a 20MP Live Mos sensor which is currently the highest resolution you can … This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. So much so that when pushed all the way to the new maximum of 51,200 ISO, the Panasonic GH5Shas an image that appears cleaner than the previous Panasonic GH5max of 12,800 ISO. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. The 3.2-inch LCD monitor (1,620k-dot approx.) If the performance changes when updated, I will re-do the test. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. The biggest change in the GH5s is the new dual ISO 10.2-megapixel sensor. For reasons beyond my understanding the cast of the theater experience was on hand as models. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. Both images from 16000ISO on would rather not be used for cinema projection. The weak point is autofocus. Quick Conclusion. If I were Panasonic however, I’d have put a bit more differentiation between the two models. Take your pick – higher resolution stills and 5 axis IBIS will satisfy most people on the GH5 – but the low light and larger sensor on the GH5S are irresistible for filmmakers. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a … Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. This gives you the first clue as to why 5 axis IBIS had to go away on this camera. But my concern is if I can acceptably intercut the two cameras for the interviews. LUMIX has reached extraordinary new heights in recording low-light, high-quality images that greatly expand the possibilities for video creators. but practically a 21mm side-to-side. 0. On top of that trade off, the GH5S features Panasonic’s dual-native ISO. It’s only once you push past than into ‘special use’ one off mega high ISOs that you see it’s worth. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. This is something Panasonic should be making a bigger deal about and it means with a Metabones Speed Booster XL you are now getting a full frame 1.1x view of your Canon lenses… at least horizontally. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. It is a dual native ISO sensor in the GH5S and it shows. If your photo subject moves around a whole lot you might want to skip this camera. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. Note: My camera is running firmware version 0.2! The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. Download the uncompressed version here. Panasonic recently launched the new LUMIX GH5S camera, which is said to be the successor to the previous LUMIX GH5. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s! Even ISO 3200 is so clean it is practically a Green party politician. Sensitivity tops out by default at ISO 51,200, where the GH5 had an … The first model since that camera to go back to the oversized sensor, and a locked-down one at that. Does dual native ISO on the Panasonic S5 beat the Sony A7S III in low light? The Nintendo Switch Finally Enters 2020 With a Firmware Update Full of Necessities. TheCameraStoreTV YouTube channel, hosted by Chris Niccolis gives a look at what the GH5s can do in low light situations. There is an obvious nonlinearity in the numbers. As others have noted, the GH5s crushes the GH5 in low light, with substantially reduced grain at higher ISO settings. And these are just the unedited JPEGs! Almost like having it set to native ISO. The GH5S does deliver on it’s low light promise, even vs the best 4K full frame cameras. That’s because it’s missing the GH5's in-body camera stabilization. Every digital camera has a native ISO where it operates optimally. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. Panasonic claims it’s just as adept at capturing low-light video too. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Now to ISO sensitivity. Comparing the GH5S directly to the A7S II isn’t really a fair fight, so I thought it’d be more interesting to see how close I could get to matching Sony’s low-light monster with any and all help I could find on the LensRentals shelf. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. To achieve these rather impressive specifications (for a Micro Four Thirds camera), the camera uses a combination of a low megapixel count and Dual Native ISO, a technology Panasonic has already employed on a few professional camcorders (Varicam35 and AU-EVA1). Yes, a full frame sensor helps but that is a HUGE difference in how many megapixels are crammed in. So the GH5s is already ahead in low light situations, then consider if DoF is an issue the GH5s has and EXTRA 2 stop advantage and if DoF is not an issue, one can put a speed booster on the GH5s for a 1 1/3rd extra stop advantage (or use an F/1.8 zoom with an extra stop for a 2.3 stop advantage over FF zooms). Although you wouldn’t realise it from reading the specs online! Panasonic GH5S vs Panasonic GH4 Comparison of Available Lenses Which camera has more lenses? Low-light sensitivity, that is. This is half the resolution of the 20.2-megapixel sensor in the GH5, but in return offers better performance in low light. One thing I do notice about the GH5S (although this is with version 0.2 firmware) was the noise reduction is a bit on the heavy side and the exposure seems a bit darker than the A7R III at the same ISO, shutter speed and aperture. That never used to be the case with the Sony cameras. So the GH5S is much more like the GH2. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. I do love the NX1 still after all these years. Apple M1 crushes Intel – beats $6000 Mac Pro 2019 and 10 core Intel i9 MacBook Pro 16″, Down the rabbit hole – View the YouTube front page as others do, Shooter's Guides / LUTs / Colour Profiles. Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). Better Low Light Performance As alluded to above, one of the most significant advantages with the new Panasonic GH5s is it’s low light capabilities. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. The opportunity was specifically designed by Panasonic to show off the GH5S’s low light performance, and consequently, the venue was the dim McKittrick hotel which is also the site of a popular adaptation of Macbeth called Sleep No More. As you can see, the details of the scene really started to reveal themselves at the high ISO levels. It outperformed the full frame Sony A7R II easily in the split-screen at the same ISOs. As the Panasonic GH5s mirrorless camera, is the the slightly more expensive and more professional video orientated sibling of the GH5. You can go to the next slide after 1 second. Hard to say. Panasonic says users can get up to ISO 51200 native with minimal noise, and up to ISO 204800 when extended ISO is use The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. The 3.2-inch LCD monitor (1,620k-dot approx.) The Panasonic Lumix GH5S is designed to be the best low-light video/photography camera available. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. Meanwhile stills captured by the GH5S at the same sensitivity value and low light appeared to have better rendering of detail than in comparable images from the Fuji X-T2. 10.2Mp Micro Four Thirds compact system or mirrorless system camera that’s designed with videographers in mind Panasonic has also included its Dual Native ISO Technology to reduce the risk of background image noise in low-light conditions. I wish Panasonic would have added a few more features to the GH5S to distinguish between it and the GH5 out of the box, rather than just the new sensor, V-LOG and timecode in/out port. For me the colour on this camera is closest to the Canon 1D C. The Sony and Panasonic need more of that digital edge taking off but they are good for when you want a more energetic, electrifying punch to low light shots. Harv’s review of EOSHD Pro Color V3 and a handy exposure guide, Nikon facing serious crisis in chipmaking – as well as camera business, Pro camcorder ergonomics are overdue a big change. "LUMIX Tether" Camera Control PC Software The LUMIX GH5s allows tethered shooting via USB with "LUMIX Tether" PC software. They all seem to quote the sensor size as 17.3mm wide (same as the GH5) but this is for STILLS mode in 4:3 aspect ratio. The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. The vignette of some of these lenses, especially wide angle, would shift around in the corners with the moving sensor during a recording, and might have been too tricky to correct digitally. August 2, 2017 by Hugh Brownstone. While its Micro Four Thirds sensor’s 10.28 megapixels might seem underwhelming on paper, each of the pixels is physically large in order to capture … It has a maximum ISO of 51,200 and Panasonic showed a demonstration of this at the meeting – it’s a very good camera in low light with realistic warm tones under artificial light. The entire range, including the extended settings, is available for stills and video. He chose to focus on the same scene with each camera set as close to the same settings as possible. A 12mm lens is no longer a 24mm equiv. On the other end of the spectrum, the GH5S uses its ISO 2500 native setting to handle low-light images, which spans everything above ISO 800 all the way to the GH5S’ max ISO of 51,200. Camera maven Philip Bloom took the cameras to the street to settle the "low-light king" debate once and for all, bringing along a Sony a7R III, Sony a7S II, and Panasonic GH5s for his low-light test. ISO 12,800 is perfectly usable now. The Sony mirorrless cameras do an outstanding job at this low light ISO level. Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5. I might agree with you. At least 19mm I believe. I have a secret project planned for this camera and I am going to enjoy doing that, first though, I wanted to see if the GH5S fulfils pretty much it’s only obligation – the first ever Micro Four Thirds camera that is clean in extremely low light? 2. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. The further you move from that ISO the noisier the image gets. Hey Richard, thanks for the reply. How did Sony manage it? This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. provides a crisp live view and high visibility even in sunny shooting conditions. However, I added Luca’s NX-L speed booster to the Samsung to give it a leg up – it doesn’t compete with the others at ISO 6400 but if you take into account the exposure boost from the NX-L adapter, you can lower this to ISO 3200 and it’s much better… ISO 1600 is pretty good and ISO 800 is clean as a whistle. You are getting a 400Mbit/s ALL-I codec on the GH5 and GH5S, but does it make a HUGE difference here? GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. Unfortunately, we couldn’t actually test the claims Panasonic made of it’s new GH5S until recently. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. Small thing, but something I quite like. Sony FX6 is here, but will you still have a job to go with it? In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). The low-light footage shot at ISO 6,400 has noticeably less chroma noise than that from the Sony camera. Next, with the help of some actors from Sleep No More, I took a series of shots, starting at ISO 1600 and moving up one step at a time to see how the GH5S photos handled things. While the NX1's shot is certainly bright, everything else about its image shows how far ahead the GH5S is. Technically, any camera can take a picture in complete darkness. The next video is filmed on a Panasonic GH5s. GH5s Low Light Footage Horrible My company bought a GH5s for use in real estate videography, and I am the primary user of the camera. On the other hand, the GH5S’ great image quality and easy-to-use interface have earned its praise from filmmakers with more controlled lighting conditions, making the camera a solid option for those folks looking for a reliable Micro 4/3 camera system with some excellent low light capabilities. If only that tech could trickle down to a less premium camera model. Unlike the GH5, the GH5S comes with V-LOG-L out of the box. Copyright © 2010-2020 EOSHD - Andrew Reid, The EOSHD 5D Mark III Raw Shooter’s Guide, The EOSHD Anamorphic Shooter’s Guide 2nd Edition, The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. Try not to under-expose these cameras in low light. Senior reporter at Gizmodo, formerly Tom's Guide and Laptop Mag. This means the images might not look quite as sharp and detailed if you were to print them for a coffee table book, but the performance in low light will be much improved. That larger sensor makes a difference to the field of view of your Micro Four Thirds glass too. But last week, I got a chance to check out the GH5S’s low-light capabilities. The colour rendering on the Nikon was very natural however… Some might prefer it’s muted tones for a smooth and realistic look to nighttime shots in the standard colour mode. These websites are stupid because this is primarily a VIDEO camera with a multi-aspect ratio sensor that is wider in 16:9 4K than in stills mode! Hybrid Log Gamma is a nice user-friendly profile for grading and compatibility with HDR displays & YouTube. It has a bright red record button that was a departure from the GH5, and its a lot lighter. One advantage to going this route is the GH5s would do much better in low light--which will be a factor for some of the B-Roll. The next video is filmed on a Panasonic GH5s. While the A7R III is a hybrid camera for the masses, the GH5S is like a pro video camera in a hybrid form factor. Really, they are quite similar for most people and I can’t see very many GH5 users getting rid of the camera so soon, losing IBIS in the process, for the more expensive GH5S. Have a job to go away on this camera to go with it especially surprised me how. Via USB with `` LUMIX Tether '' PC Software the LUMIX GH5S allows tethered shooting via with... Camera set as close to the field of view of your Micro Four Thirds GH5S to. Real-Estate is less, especially in the GH5 which is impressive different, because has two ISOs! Gh4 comparison of available Lenses which camera has a usable, clean image at 6400! 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